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Kaia Gerber and Homer Gere Attend The Shards Premiere in New York City

Kaia Gerber at Disney 2026 Upfront Red Carpet held at North Javits Center on May 12, 2026 in New York, New York
Kaia Gerber at Disney 2026 Upfront Red Carpet held at North Javits Center on May 12, 2026 in New York, New York

Kaia Gerber and Homer Gere brought 1990s nostalgia to New York City on July 27, 2026, attending the FX series world premiere of The Shards.

Red Carpet Nostalgia at The Shards Premiere in New York City

Hollywood lineage took center stage in New York City as Kaia Gerber and Homer Gere made a joint red carpet appearance on July 27, 2026. The two actors arrived at the SVA Theatre for the world premiere of the FX series aol.com, alongside fellow cast members Hayes Warner, Igby Rigney, and Graham Campbell. The joint outing instantly drew comparisons to the 1990s era defined by their famous parents.

Kaia Gerber is the daughter of supermodel Cindy Crawford and husband Rande Gerber. Homer Gere is the son of actor Richard Gere and his ex-wife Carey Lowell. Cindy Crawford was married to Richard Gere from 1991 to 1995 before the couple called it quits after four years of marriage. More than a decade after that high-profile union ended, their children crossed paths professionally as co-stars in the new television project.

Channeling 1990s Fashion and Beauty Inspiration

Both actors leaned heavily into nineties aesthetics for their red carpet debut. Kaia Gerber resembled her supermodel mom circa the ‘90s by wearing a shimmering gilded naked illusion dress covered in sequins and a diamond-like pattern crafted from silver beads. She styled her highlighted brunette hair in a deep side part with substantial volume at the crown.

Homer Gere appeared to borrow ‘90s-era beauty inspiration from his dad, wearing his long dark hair in middle-parted curls that framed his forehead. He paired the hairstyle with a tailored black suit, a white dress shirt, and a black tie. Following the premiere screening, Gerber swapped her column dress for a slinky black LBD featuring sheer illusion straps as the cast gathered for an after-party at the SVA Theatre.

Reflecting on Family Advice and Modeling Campaigns

In a previous interview, she discussed the iconic beauty lessons her mother taught her regarding personal confidence.

Kaia Gerber and Homer Gere Attend The Shards Premiere in New York City
Photo: aol.com

“Obviously, [my mom] is objectively very beautiful and everybody knows that, but what’s incredible to me about her is that’s the last thing that you are amazed by. She is smart, kind, and funny. She also has this confidence, and I really admire that about her. Her advice was always less is more and beauty is very much on the inside.”

Kaia Gerber, via PS

Beyond her television work, Gerber continues to maintain a prominent presence in fashion campaigns. Earlier in July, she appeared in a topless photoshoot for a Re/Done campaign titled The Kaia Edit: Expanded. In the images, she wore denim jeans while using Converse high-top sneakers to cover her chest.

Looking Back at Cindy Crawford and Richard Gere’s Marriage

Crawford previously opened up about the reasons that led to their eventual divorce during a February 2016 appearance on Marc Maron’s WTF podcast. At the time of their 1991 wedding, Crawford was 25 and Gere was 42.

Nepo Baby: “I Wish I Looked Like My Mom” #shorts #kaiagerber #nepobaby

“I think part of the problem in our relationship was that we were a lot of other things, but I don’t know if we were ever friends—like peers, because I was young, and he was Richard Gere.”

Cindy Crawford, via Marc Maron’s “WTF” podcast

Crawford added during the podcast interview that as she started kind of growing up and growing into herself… it’s hard to change the nature of a relationship once you’re already in it. Decades later, their respective children are stepping into similar spotlight environments, establishing their own footing in prestige television and fashion.

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Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.