A long-standing debate within the Egyptian arts community has resurfaced following a legislative proposal to enforce “public performance rights” for actors, directors, and screenwriters. The initiative, led by actor and appointed Senator Yasser Galal, seeks to activate provisions within the 2002 Intellectual Property Rights Protection Law that have remained largely unimplemented for over two decades.
The Egyptian Senate recently approved the proposal and referred the committee’s report to the government for implementation. The move has ignited intense discussion, pitting artists who view the royalties as a necessary safety net against producers who express concerns regarding the financial sustainability of the industry.
The Mechanics of Public Performance Rights
Public performance rights refer to financial compensation paid to creators whenever their work is presented to the public. According to Dr. Hossam Lotfy, a professor of law and intellectual property expert, these rights allow creators to receive payments when their work is utilized via traditional broadcasting or digital platforms.
While Egypt has been a signatory to the Berne Convention for the Protection of Literary and Artistic Works since 1886, the practical application of these rights varies significantly by sector. Currently, composers and lyricists in Egypt receive royalties through the Egyptian Society for the Protection of Authors and Composers (SACERU). However, actors, directors, and screenwriters—who currently rely on initial production contracts—do not receive similar ongoing compensation for the repeated broadcast of their work.
Perspectives from the Artistic Community
Supporters of the proposal argue that current industry practices leave creators vulnerable, particularly in their later years. Critics of the status quo often point to the contrast between the ongoing revenue generated by classic films and the financial hardships faced by some veteran artists or their descendants.
A broad coalition of prominent artists has mobilized to support the enforcement of these rights. Recently, a meeting held at the Actors Syndicate included high-profile figures such as Yehia El-Fakharany, Ashraf Zaki, and Yasser Galal, along with numerous actors, directors, and writers. Supporters emphasize that this initiative is not unique to Egypt, noting that similar legal frameworks exist in many countries, including those in North Africa, Europe, and the United States.
Industry Concerns and the Producer Perspective
The proposal has faced resistance from some production entities. Producer Gamal El-Adl emphasized the need for a formal dialogue between all stakeholders before any changes are finalized.
The Stakes for the Future of Egyptian Content
The debate centers on how to balance the rights of creators with the economic realities of the film and television industry. Proponents, including writer Ahmed Mourad, argue that ensuring creators remain stakeholders in the value of their work encourages innovation and provides a more stable environment for the industry.
The current landscape of the debate is summarized by the following key points of contention:
| Aspect | Current Situation | Proposed Change |
| :— | :— | :— |
| Legal Basis | Law No. 82 of 2002 exists but is not fully applied to all roles. | Full activation of the “public performance” clause. |
| Payment Source | Production companies pay a one-time fee. | Broadcasters and platforms pay for repeated usage. |
| Industry Impact | Producers claim it adds costs to an already strained industry. | Artists claim it ensures dignity and long-term financial security. |
As the government reviews the Senate’s recommendations, the artistic community remains divided on whether the enforcement of these rights will act as a vital support system for creators or an unsustainable burden on the production sector.
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