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Myriam Fares Threatens Legal Action Over Fabricated Statements

Lebanese singer Myriam Fares has officially denied circulating social media claims attributing political statements to her regarding ongoing regional conflicts.

Myriam Fares Threatens Legal Action Over Fabricated Statements
Myriam Fares Threatens Legal Action Over Fabricated Statements

Lebanese singer Myriam Fares has officially denied circulating social media claims attributing political statements to her regarding ongoing regional conflicts. Her management company, Myriam Music, denounced the reports as fabricated and warned that it would pursue legal action against any individuals or platforms involved in spreading the misinformation.

Myriam Music Denounces Fabricated Statements

On October 14, 2026, the singer’s management firm, Myriam Music, issued a formal statement via her official Instagram account to categorically reject the reports. The controversy began when unauthorized statements regarding current regional wars and political tensions were falsely attributed to Fares.

Management stated that Fares’s professional output is focused on artistic and humanitarian goals rather than political discourse. The company stated that Fares views music as a tool to bridge gaps and foster love between peoples, even in situations where political efforts have failed to achieve reconciliation. By distancing the artist from these specific political debates, the firm aimed to address what it termed an attempt to exploit her name for personal gain or to incite division.

The statement explicitly clarified that Fares refuses to be dragged into political conflicts.

She stays out of arguments that have no relation to her. The firm warned that such fabricated stories are merely efforts to manipulate her public image.

Myriam Fares Threatens Legal Action Over Fabricated Statements
Photo: جريدة آخر الأخبار

Legal Threats Target Misinformation

In response to the spread of these false reports, Myriam Music announced it would take necessary legal measures against any party responsible for creating, publishing, or promoting the fabricated content. This includes deterrent legal procedures intended to stop those who intentionally seek to offend the artist. The company specifically criticized accounts that prioritize viral engagement over factual accuracy, noting that such behavior contributes to the wider spread of misinformation.

The firm urged media outlets and the public to verify information exclusively through Fares’s official social media channels.

This includes addressing specific false rumors. These claims stated that she had apologized for canceling activities in Saudi Arabia due to regional hostilities, which the company confirmed were entirely untrue and lacked any basis in reality.

Myriam Fares Threatens Legal Action Over Fabricated Statements
Photo: Elfann

Concert Tour Continues Abroad

The denial of these political rumors occurred while Fares continued her international performance schedule. Approximately one week before the statement was released, Fares performed in Amsterdam at the Concertgebouw hall.

The event drew a significant audience from the Arab diaspora in Europe.

The event, which was part of her The Myriam Show production, featured a setlist of both new and classic songs. Fares shared images and video clips from the venue on social media, noting her appreciation for the audience’s interaction during the event.

Myriam Fares said, Amsterdam, you were magical.

Fares continues to maintain a busy schedule, balancing her international performances with her ongoing musical work, including the release of her romantic track “Lahbibi,” which she co-wrote and composed alongside Youssef Al-Omani.

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Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.