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Rachel Weisz and Brendan Fraser Reunite After 25 Years for The Mummy 4 Film

Rachel Weisz and Brendan Fraser reunited for the first time in 25 years on the set of The Mummy 4, with production underway in London as the film’s release date shifted to October…

Rachel Weisz and Brendan Fraser Reunite After 25 Years for The Mummy 4 Film
Rachel Weisz and Brendan Fraser Reunite After 25 Years for The Mummy 4 Film

Rachel Weisz and Brendan Fraser reunited for the first time in 25 years on the set of The Mummy 4, with production underway in London as the film’s release date shifted to October 15, 2027.

Rachel Weisz and Brendan Fraser made their first on-set appearance together in 25 years during filming for The Mummy 4, with production underway in London as the film’s release date shifted to October 15, 2027. The duo, who last starred together in The Mummy Returns (2001), reprised their iconic roles as Evelyn O’Connell and Rick O’Connell, with Weisz donning a period-appropriate outfit and Fraser sporting a casual, rugged look. The film, directed by Matt Bettinelli-Olpin and Tyler Gillett, will serve as a direct sequel to the 1999 and 2001 films, ignoring the 2008 installment entirely.

A Reunion After 25 Years

Production began on September 7, 2026, following Fraser’s festival appearance. O’Connor returning as a henchman. Additional cast members include Oded Fehr as the warrior Arthor Bay and Noman Ajar, as reported by Youm7. The film’s title remains officially unannounced, though Youm7 and source 4 note that Universal Pictures has named it The Mummy: The Book of the Dead, a title that may reflect its focus on ancient Egyptian mythology.

Production and Plot Details

The film’s release date was moved from May 19, 2028, to October 15, 2027, a decision made by Universal Pictures. The film’s title remains untitled, though it is widely referred to as The Mummy 4.

Filming took place in west London, with scenes reportedly shot near the British Museum. Weisz, 56, was seen in a red-checked pencil skirt and blazer, while Fraser, 57, wore a brown suede jacket and green flannel shirt. The film’s directors, Matt Bettinelli-Olpin and Tyler Gillett, are known for Ready or Not (2019), a horror film that earned critical acclaim. Producers include James Vanderbilt and Sean Daniel, whose previous work on The Mummy (1999) and The Mummy Returns (2001) underscores their familiarity with the franchise.

Rachel Weisz and Brendan Fraser Reunite After 25 Years for The Mummy 4 Film
Photo: ET بالعربي

Fan Reactions and Legacy

Fans have expressed excitement over the reunion, with many praising the chemistry between Weisz and Fraser. On platforms like Reddit, users highlighted the electric on-screen energy that defined their earlier collaborations. The original Mummy films, directed by Stephen Sommers, became cult classics, blending action, adventure, and humor. The new film aims to recapture that spirit, with the directing team of Radio Silence (known for Ready or Not) bringing a fresh perspective.

Weisz, married to Daniel Craig, was recently spotted filming scenes outside the British Museum, which is expected to feature prominently in the movie. The cast also includes Michael Johnston, a young actor joining the ensemble, as noted in Youm7.

The film’s narrative is expected to avoid the 2008 sequel, which was criticized for its disjointed plot and reliance on CGI. Instead, The Mummy 4 will focus on the original characters’ enduring adventures, with Fraser and Weisz’s return signaling a return to the franchise’s roots. The film’s release in October 2027 will mark 27 years since the debut of the original Mummy in 1999, a milestone that underscores its significance to both fans and the studio.

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Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.