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The Emmy Awards will move to Prime Video starting in 2027 under a six-year deal between Amazon and

The Emmy Awards will move to Prime Video starting in 2027 under a six-year deal between Amazon and the Television Academy, ending seven decades of broadcast television coverage…

The Emmy Awards will move to Prime Video starting in 2027 under a six-year deal between Amazon and the Television Academy, ending seven decades of broadcast television coverage and fueling ongoing debates over television’s shifting dominance against digital streaming platforms.

Prime Video Secures Six-Year Emmy Awards Deal

An announcement regarding the relocation of the Emmy Awards broadcast to Prime Video has sparked fresh debate over the intense competition between traditional television and digital streaming platforms. According to reporting from the Associated Press, the Television Academy and Amazon finalized a six-year agreement that shifts the annual ceremony to the streaming platform beginning in 2027.

This transition concludes a historical run for network television. For seven decades, broadcast networks handled the annual ceremony honoring the best television programming. Since 1955, the Emmy Awards broadcast rotated annually among four major television stations through what was known as the “wheel deal.” NBC first broadcast the event nationally in 1955 and served as the most recent host last month, while ABC, CBS, and Fox rounded out the rotation over the last three decades.

The continuity is a big part of what we’re looking for. And with one partner over six years, we can really learn together, and build from year to year together.

Chris Abrego, Television Academy Chairman

Mike Hopkins, head of Prime Video and Amazon MGM Studios, told the Associated Press, We’re in a race against time, and we need to get to work. Meanwhile, digital media researchers note that moving the ceremony represents a symbolic structural shift that redefines the television medium by transferring industry celebrations into a digital ecosystem.

Shifting Budgets and Changing Demographics in Digital Media

Digital platforms have successfully attracted massive budgets and major awards, leaving classic screens largely relegated to reruns and low-cost programming.

Abdul Ghani points to a severe demographic erosion, declining subscriptions, and the “cord-cutting” phenomenon driven by younger generations moving almost entirely to digital streaming. This shift has stripped television of its major share of daily screen time and its status as the sole custodian of mass culture. Award shows generally have experienced sharp viewership declines over time; while the Emmy Awards once drew more than 20 million viewers in its peak, broadcasts now hover around 7 million viewers, trailing behind the Oscars, Grammys, and Golden Globes.

Digital media researcher Mohamed Fathy explained to Asharq Al-Awsat that the internet allows institutions to create and fund their own platforms, communicating directly with audiences without editorial oversight or traditional broadcasting constraints. Fathy noted that the shift of the Emmy Awards is not just a change of the broadcasting channel, but an indicator that digital platforms have become capable of hosting events that were historically associated with traditional television.

Television Maintains Structural Advantages over Streaming Systems

Despite the rise of streaming, experts emphasize that television is not disappearing. Abdul Ghani notes that television maintains structural advantages in broadcasting live sporting events and instantaneous news coverage without the internet network congestion risks that plague online systems, while also delivering local public services that global platforms cannot match.

Television is also experiencing a functional revival through ad-supported free streaming models designed to combat subscription fatigue and market saturation. Even digital platforms have begun adopting traditional television mechanisms such as advertising and scheduled programming.

Fathy stressed that the solution for traditional outlets does not lie in fighting platforms with outdated television tools, but in redefining operational models by investing in unreplaceable content such as reliable news, investigative reporting, field coverage, and analytical programming. Fathy added that major international television networks still retain opportunities if they restructure to meet audience desires and exploit the advantages built by electronic platforms.

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Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.