Tuesday, October 6, 2026 Latest University of Limerick Study Finds Participants Paid Female AI Less Our standards
Culture

Susan Najm Aldeen Criticizes Egyptian Film Industry at Festival

Syrian actress Susan Najm Aldeen criticized the Egyptian film industry for closing its doors to diverse talent during her appearance at the sixth edition of the Cairo Francophone…

Susan Najm Aldeen Criticizes Egyptian Film Industry at Festival
Susan Najm Aldeen Criticizes Egyptian Film Industry at Festival

Syrian actress Susan Najm Aldeen criticized the Egyptian film industry for closing its doors to diverse talent during her appearance at the sixth edition of the Cairo Francophone Film Festival, where she serves as head of the 123 competition jury and received a tribute.

Speaking to media on the sidelines of the festival, Najm Aldeen urged filmmakers to embrace a wider range of artists and generations instead of limiting opportunities to a select group. She described Egypt as a central pillar of Arab art that possesses the artistic wealth to encompass a wider pool of talent.

This if it happened, all industry elements would be working, everyone would be absorbed and accommodated, and we would not have seen anyone sitting at home.

Susan Najm Aldeen Criticizes Egyptian Film Industry at Festival
Photo: marsad.news

Her remarks coincided with the opening of the festival’s sixth edition, which runs from October 3 to October 7, 2026, under the theme Return to the Future. The event gathered film professionals and cultural figures for screenings, discussions, and honors.

Susan Najm Aldeen Leads Festival Jury and Opening Honors

The sixth edition opened under the presidency of film critic and journalist Yasser Moheb, featuring a nostalgic musical program led by maestro Yehia El Mogy that honored composer Mohamed El Mogy. Najm Aldeen co-hosted the opening ceremony alongside young actress Jessica Hossam El Din, emphasizing cross-generational dialogue.

Festival organizers recognized several prominent figures during the opening events, presenting tributes to Nadia El Geneudy, Sherif Mounir, Ahmed Magdy, screenwriter Medhat El Adl, and director Magdy El Hawary, alongside Najm Aldeen.

سوزان نجم الدين: السينما مش محتاجة جواز سفر ولا ترجمة عشان توصل للقلب #كاراڤان

I am very happy with this honor because it comes from a distinguished and different festival that gives space for dialogue and the meeting of cultures.

For her part, Najm Aldeen assumed leadership of the 123 competition jury, stepping into a formal evaluation role while participating in the Francophone cinema celebration.

Susan Najm Aldeen Criticizes Egyptian Film Industry at Festival
Photo: وكالة الصحافة المستقلة

Susan Najm Aldeen Discusses Social Media Scrutiny and Family

Beyond festival panels, Najm Aldeen addressed personal and career topics during a telephone interview with media figure Nehal Tayel on the Sada El Balad 2 program. She discussed coping with online harassment, noting that performers face constant critique under public exposure.

“The more you are in fame and the lights, they will not stop bullying you.”

Susan Najm Aldeen

Susan Najm Aldeen Wears Emerald Green on the Red Carpet

Najm Aldeen drew attention at the festival venue in a custom creation by fashion designer Ayman Lahmouni. The dark emerald green gown featured a strapless corset bodice, geometric crystal embellishments along the seams, and a flowing dramatic skirt designed for stage presence.

The look was completed with jewelry, including a necklace centered with a green gemstone, coordinating drop earrings, and bracelets that matched the dress’s metallic detailing.

Accuracy matters. See something that needs attention? Read our corrections policy or contact the newsroom.

Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.