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Valerie Abou Chacra Surprises Co-Star Samer Ismail on Set of Kara Sevda Adaptation

A Behind-the-Scenes Celebration
A Behind-the-Scenes Celebration

Production for the highly anticipated Arabic-language adaptation of the Turkish drama Kara Sevda (Endless Love) is currently underway in Istanbul, Turkey. Amidst the demanding filming schedule, lead actress Valerie Abou Chacra recently brought a sense of celebration to the set by surprising her co-star, Syrian actor Samer Ismail, for his birthday.

A Behind-the-Scenes Celebration

The surprise took place within the production’s mobile facilities, where Abou Chacra entered Ismail’s trailer carrying a cake decorated with lit candles. According to reports, Ismail was in the process of having his hair styled, wearing a barber’s cape, when the actress arrived. The gesture was met with immediate delight, as Ismail responded with a broad smile. The spontaneous event drew in other members of the production crew, who joined in to applaud and share in the celebration. The moment culminated in a warm embrace between the two lead actors, a scene that was captured on video and shared via Abou Chacra’s official Instagram account. The actress accompanied the footage with a caption noting that the team was celebrating the birthday directly on the filming location. Ismail also acknowledged the well-wishes, sharing clips from a separate celebration held by his friends the previous day, where he expressed his gratitude for being made to feel special.

A Behind-the-Scenes Celebration
Photo: lovin.co

Building Chemistry on Set

The behind-the-scenes footage has resonated with fans, who have taken to social media to praise the visible rapport between the two leads. The interaction has fueled excitement for their upcoming collaboration, with many followers describing the duo as an ideal pairing for the series. The Kara Sevda adaptation marks the first time Abou Chacra and Ismail have worked together professionally. Beyond the birthday surprise, Abou Chacra also shared personal moments from the Istanbul set, documenting a visit from her family. Photos posted to her social media showed her parents and her three children—her twin daughters and young son—visiting the location. In one image, the children were seen sitting in the director’s chairs, observing the monitors while their mother filmed her scenes.

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Context of the Production

The original Turkish series, *Kara Sevda*, first premiered in 2015 and achieved significant success both within Turkey and internationally. The narrative follows the story of Kemal, an engineer from a modest family, and Nihan, a woman from a wealthy background. Their relationship faces major obstacles due to social and economic disparities, eventually taking a tragic turn when Nihan is forced into a marriage with a powerful businessman named Emir. The Arabic adaptation features a cast of prominent Lebanese and Syrian actors, including: * Samer Ismail * Valerie Abou Chacra * Ward El Khal * Talal Jurdi * Line Ghurra * Majd Fadda * Ayman Abdel Salam

Context of the Production
Photo: مجلة سيدتي

Professional Backgrounds

The project adds to a series of notable roles for Valerie Abou Chacra. Her previous work includes the drama “Min… Ila”, where she starred alongside Qusai Khouli, and the series “Ma Fii”, which featured her in a lead role opposite Moatassem Al-Nahar. As filming continues in Istanbul, the collaborative atmosphere on set appears to be a key element for the cast. The production team remains focused on the series, which is expected to explore the same emotional themes of love and confrontation that characterized the original Turkish production.

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Culture Editor

Lucia Moretti

Lucia Moretti is the editorial identity for TellingPointy's Culture desk, exploring film, television, music, books, gaming, creators, and the media industries around them. Moretti treats culture as both art and infrastructure: a place where taste, technology, money, identity, and power meet. Her desk moves beyond publicity cycles to ask why a work resonates, how it was made and distributed, whose perspective is missing, and what its reception reveals about the moment.